Text
Read these production reviews and reflect on how each production constructed their Richard - consider the choice of actor, costume, embodiment, and gender. You may also like to examine photos of the production.
- 'Sex-change villain lacks frisson of fear' (Shakespeare's Globe Theatre, 2003)
- 'Truly nasty - and that's a compliment' (Royal Shakespeare Company, 2007)
- Richard III at the Kitchen Dog (Kitchen Dog Theater, 2008)
- An all-female Richard III (Omidaze theatre company, 2015)
